881 (2007) 5/10
Roystan Tan’s musical about Singapore’s getai culture was the breakaway local hit of 2007. Look beyond the successful box-office and the wide praise heaped by the local press, the film is largely mediocre effort that recycles predictable cliches.
The good news is that 881 isn’t bad by Singaporean standards. Certainly much better than a typical Jack Neo flick, although that is a very low barometer in the first place. Indeed the opening sequence detailing the growing up of the Papaya Sisters is reminiscent of the style employed in films like Amelie- a series of quick takes that document points in their lives, often in a quirky manner. Other commendable points about the movie include its crowd pleasing Hokkien soundtrack, the exuberant costumes and the fact that the acting is halfway passable. In any other film, i’d probably have criticized the acting, but since it is not as cringe-worthy as the typical Singaporean flick, i’ll let it pass.
The bad news is that the film is much like any other film you have watched before. 20 mins into the film, you’d be able to predict every single plot point and the films unfolds exactly as you expected. More glaringly, the film tries to blend comedy with tearjerker melodrama. It does not work, and worse, backfires badly. The comedy part is strong, and the energetic musical sequences keep audiences satisfied. But once it goes onto melodrama mode, especially in the last 20 minutes, the film falls into a screeching halt. Another minus is the terrible, terrible CGI employed in the film. Here is a hint: if you are going to use lousy CGI, you might as well skip it.
Most importantly, the reason why 881 fails as a film is because it does not craft compelling characters. The cast is largely a cookie cutter representation of good people and bad people and the result is that the audiences do not have the emotional connection to such one-diemensional cut-outs. And before you have the perception that 881 should be given some slack because it is a fairly low budget musical, let me disabuse you of the notion that musicals must have big budgets by referring to the charming indie musical that is Once (2007).
Overall, while 881 is a step up for local movies in that it isn’t as bad, it is still a long way from being good. Roystan Tan shows some promise, but in all honesty, Singaporean films are still decades behind the international standard.