The Diving Bell and The Butterfly (2007) 8/10
Julian Schanabel won Best Director at Cannes for The Diving Bell and The Butterfly, which stands at an impressive 94% on RT. The question then is why did it not get a Best Foreign Language Film nomination at the recent Oscars? The short answer is that this year’s best foreign film category is totally screwed up, with critically acclaimed foreign films like “Lust, Caution” , Persepolis and Diving Bell completely overlooked. Considering that Diving Bell has been in a number of critic’s top 10 list and for goodness sakes its director won at Cannes, the omission is unforgivable.
But back to the film proper. Based on an inspirational true story, the film brings us into the mind of a man who has become almost completely paralyzed and can only communicate with the world by blinking his eyes. Despite this, he goes on to write a book. Yes, write a book. Diving Bell reminds me of the equally good The Sea Inside, but differs greatly in how they approach a similar subject manner. In The Sea Inside, the film is preoccupied with the protagonist’s desire for euthanasia, which brings in a powerful moral debate into the confines of the film. Diving Bell on the other hand, is a more personal account and films the story through the first person point-of-view of the protagonist. In particular, Mathieu Amalric’s commanding lead performance makes the film a memorable and challenging film experience.
It is a deeply affecting tale that pays homage to the imagination of the human mind. In life we are all bogged down by the metaphorical diving bell that traps us, but our minds are like butterflies which cannot be fettered. May your butterflies roam free.
“In his brilliant new film, The Diving Bell and the Butterfly, painter/sculptor/director Schnabel (Basquiat, Before Night Falls) defies dozens of moviemaking conventions to tell the true story of Jean-Dominique Bauby. “- Austin Chronicle
“A film that haunts and inspires, about a man who loves and longs. See it and connect with your own humanity. See it and remember why art endures through time: To tell us who we are and what we live for.”- Houston Chronicle
“Working with Steven Spielberg’s favourite cinematographer, Janusz Kaminski, he employs an array of lenses, styles and lighting in a technical tour-de-force to convey not only the physical limitations, but also the wide range of Bauby’s consciousness.”- Globe and Mail