Dominatio Per Malum


October 2, 2009

On Roman Polanski

Filed under: Movie related, Law
Roman Polanski raped a child.

Kate Harding starts her article with this important and powerful reminder of what Polanski has done. It is an impassioned and lucidly argued piece on why no one should be above the law, not least Polanski. Rape is rape. There is no issue of consent, because the child’s age makes it statutory rape. In any case, consent had not been given.

But Polanski has his supporters. Patrick Goldstein asks if “at a time when California is shredding the safety net that protects the poor and the unemployed, not to mention the budget of the public school system, you’d hope that L.A. County prosecutors had better things to do than cause an international furor by hounding a film director for a 32-year-old sex crime, especially one that Polanski’s victim wants to put behind her.” In so doing he evokes a most compelling allegory, describing Polanski as a modern day Jean Valjean from the classic “Les Miserables” by Victor Hugo about an ex-convict trying desperately to be a good man but perpetually haunted by tenacious constable. I am not entirely convinced by the Les Mis analogy, not least because Valjean’s crimes were far less disturbing than Polanski’s.

Still, Polanski’s capture has triggered much debate, with the NYT’s Room For Debate Post highlighting the different perspectives. Now, just as there is no doubt as to Polanski’s guilt, let it be said too that there is also no doubt as to Polanski’s brilliance. The Pianist(2002), his powerful, wrenching tale for which Polanski a won Best Director Oscar is a testament to his craft. My personal favourite however, is his “Death and the Maiden” which is one of the most brilliant psychological thrillers i have ever had the chance to watch.

But should brilliance, however great absolve one of wrongdoing? And what of judicial misconduct? Should the fact that the then trial judge intended not to honor the plea bargain reached between Polanski and the Prosecutor be a redeeming factor? And should the victim’s subsequent forgiveness count for anything?

Having recently watched Michael Sandel’s thought provoking classes on ethics in http://justiceharvard.org/, this episode actually pits two competing school of thoughts, that of Consequentialism, which derives its ideas from utilitarianism. The idea is to look at the welfare of society as a whole and decide if it is beneficial. As Robert Harris, someone who does know Polanski questions in this NYT editorial questions:

“He is no threat to the public. The original judicial procedure was undeniably murky. So cui bono, as the Romans used to say — who benefits?”

In short, what is the point of jailing an old man for a crime committed 30 plus years ago when that man can better contribute to society as a director?

In contrast a Deontological approach takes a view that the ends do not justify the means. Again, back to Kate Harding who reminds us that:

“It works on behalf of the people, in fact — the people whose laws in every state make it clear that both child rape and fleeing prosecution are serious crimes. The point is not to keep 76-year-old Polanski off the streets or help his victim feel safe. The point is that drugging and raping a child, then leaving the country before you can be sentenced for it, is behavior our society should not — and at least in theory, does not — tolerate, no matter how famous, wealthy or well-connected you are, no matter how old you were when you finally got caught, no matter what your victim says about it now, no matter how mature she looked at 13, no matter how pushy her mother was, and no matter how many really swell movies you’ve made.”

And so, we are back to a grey area where whether Polanski should be extradited depends really on whether you follow a consequential reasoning or a deontological reasoning. For my part, i do believe that Polanski should be punished for his crimes, but the fact that there was judicial misconduct in the proceedings and the time lag should thereby entitle him to significant reduction in sentence because it is a strong mitigating factor. The victim’s forgiveness is a relevant point to be taken into consideration.

The reason why i believe that judicial misconduct and the failures of due process should either entitle a guilty accused to be acquitted or have his sentence discounted is because the rule of law is itself dependant on the justice system following the rules which it has set. Because of the seriousness of Polanski’s crime, it would be unwise to give a full acquittal, but the lack of due process should entitle him to a discount in sentence. As Justice Louis Brandeis opines in one of the most famous dissents in OLMSTEAD v. U.S., 277 U.S. 438 (1928) :

“Will this court, by sustaining the judgment below, sanction such conduct on the part of the executive? The governing principle has long been settled. It is that a court will not redress a wrong when he who invokes its aid has unclean hands. 16 The maxim of unclean hands comes [277 U.S. 438, 484] from courts of equity. 17 But the principle prevails also in courts of law. Its common application is in civil actions between private parties. Where the government is the actor, the reasons for applying it are even more persuasive. Where the remedies invoked are those of the criminal law, the reasons are compelling.

Decency, security, and liberty alike demand that government officials shall be subjected to the same rules of conduct that are commands to the citizen. In a government of laws, existence of the government will be imperiled if it fails to observe the law scrupulously. Our government is the potent, the omnipresent teacher. For good or for ill, it teaches the whole people by its example. Crime is contagious. If the government becomes a lawbreaker, it breeds contempt for law; it invites every man to become a law unto himself; it invites anarchy. To declare that in the administration of the criminal law the end justifies the means-to declare that the government may commit crimes in order to secure the conviction of a private criminal-would bring terrible retribution. Against that pernicious doctrine this court should resolutely set its face. “

August 9, 2009

Open Wide: Spoon-Fed Cinema

Filed under: Movie related

Open Wide: Spoon-Fed Cinema

The box office numbers don’t lie, but they don’t tell the whole story either. The weekend grosses, widely guessed at on Thursday night and breathlessly reported by the middle of Sunday afternoon, record the quantity of tickets purchased, but they cannot register the quality of the experience. The aggregate of receipts shows that a lot of people like going to the movies, but not necessarily that they like what they see.

Commercial success may represent the public’s embrace of a piece of creative work, or it may just represent the vindication of a marketing strategy. In bottom-line terms, this is a distinction without a difference. A movie that people will go and see, almost as if they had no choice, is a safer business proposition than one they may have to bother thinking about. In this respect “Transformers: Revenge of the Fallen” is exemplary. It brilliantly stymies reflection, thwarts argument, arrests intelligent response. The most interesting thing about the movie — apart from Megan Fox’s outfits, I suppose — is that it has made nearly $400 million domestically.

There is nothing else to say. Any further discussion — say about whether it’s a good movie or not — sounds quaint, old-fashioned, passé. Get a clue, grandpa.

Or go see “Up,” the only hugely successful movie of the summer that engages genuinely adult themes. It’s about loss, frustration, disappointment. And it offers one of the season’s most pointed and paradoxical lessons. If you want to make a mature film for mature audiences, make sure it’s a cartoon.

August 7, 2009

Ebert on why most people can’t appreciate good films

Filed under: Movie related

Roger Ebert: The Gathering Dark Age



Certainly most of those who see “The Hurt Locker” become enthusiastic advocates of the film. Apparently those younger viewers who have seen it haven’t had much of an influence on their peers. While the success of the film continues to grow as it steadily increases its number of theaters, the majority of younger filmgoers are missing this boat. Why is that? They don’t care about reviews, perhaps. They also resist a choice that is not in step with their peer group. Having joined the crowd at “Transformers,” they’re making their plans to see “G. I. Joe.” Some may have heard about “The Hurt Locker,” but simply lack the nerve to suggest a movie choice that involves a departure from groupthink.

Of course there are countless teenagers who seek and value good films. I hear from them all the time in the comment threads on this blog. They’re frank about their contemporaries. If they express a nonconformist taste, they’re looked at as outsiders, weirdoes, nerds. Their dates have no interest in making unconventional movie choices. They’re looked at strangely if they express no desire to see that weekend’s box office blockbuster. Even some of their teachers, they write, are unfriendly to them “always bringing up movies nobody has ever heard of.” If you hang around on these threads, you know the readers I’m referring to, including “A Kid,” who writes so well that if she hadn’t revealed her age (just turned 13) we would have taken her for a literate, articulate adult.



The movies themselves aren’t left on their own, either. Paramount’s decision to refuse advance critics’ screenings of “G. I. Joe” was explained with refreshing honesty by Rob Moore, vice chairman of Paramount Pictures, to Christy Lemire of the Associated Press: “After the chasm we experienced with ‘Transformers 2′ between the response of audiences and critics, we chose to forgo opening-day print and broadcast reviews as a strategy to promote ‘G.I. Joe.’ We want audiences to define this film.”

That hasn’t meant no advance screenings. Indeed, the movie was recently scoring 85% on the Tomatometer, although today (August 6) it is down to 65% and dropping. Why so strong at the beginning? The studio screened it (in the words of the invaluable Goldstein, for “certified fan-boy zealots”). While some of them do articulate their reasons (I’m convinced Harry Knowles, bless his heart, really believes what he says), many are simply delighted to deliver an “exclusive early look” to their websites, making good on their half of an implied deal.

What usually happens in the 24 hours before a North American opening day is that the Tomatometer reading starts to drop as the International Date Line creeps inexorably toward Newfoundland, and MSM critics from Australia and the UK begin to check in. Another corrective is that the score on Metacritic.com often skews lower than the Meter because it monitors (dare I say) reputable critics and not fanboy zealots.

In any case, as I often say, I love the movies enough that anytime someone spends the money for a ticket I hope they have a good time. Nevertheless, I lament the 105,000,000 hours of life that North Americans have lost to “Transformers.” As Gene Siskel liked to say, “It’s your life, and you can’t ever get it back.”

Some weeks ago I went so far as to suggest the gap between some critics and some moviegoers may be because the critics are more “evolved.” Man, did the wrath hit the fan. I was clearly an elitist snob. But think about it. Wouldn’t you expect a critic to be more highly evolved in taste than a fanboy zealot? And what about “A Fan?” Should she be shunned by her peers for having her own ideas? And what about another one of my readers, the 15-year-old who says he has viewed dozens of my “Great Movies?” If you’re his friend, isn’t it worth wondering what he’s stumbled onto? And what about your date this Friday night? If he or she only wants to see the movie “everyone” is going to see, is that person going to be much good for conversation?


Note: GI Joe now stands at 53% on Rotten Tomatoes as of today. I fully expect it to drop below the 50% threshold. I always thought it was damn fishy that GI Joe, directed by Stephen Sommers who has had such duds as “The Mummy” and “Van Helsing” could have such surprisingly good early reviews. Now i know how the system has been gamed such that early screenings were only given to “friendly” critics.

Speaking of good movies, does anyone want to watch Hurt Locker with me, assuming it is screened in my country? Currently 98% on RT.

Update: GI Joe stands on 38% as of 8 Aug 2009.

Asperger’s Syndrome, on Screen and in Life

Asperger’s Syndrome, on Screen and in Life

People with Asperger’s may have superior intelligence and verbal skills, and they often have an obsessive interest in a particular topic (astronomy, in the case of the title character in “Adam,” played by Hugh Dancy). But they tend to be self-defeatingly awkward in social situations, and romantic relationships can leave them at sea.

The syndrome is generally considered a high-functioning form of autism, which in recent years has been diagnosed in more and more children. While the reasons for the explosion in diagnoses are unclear, increased awareness may be part of the explanation, and one reason for the growth in awareness is the rise of online parent communities.


SHIT THIS PARAGRAPH ACTUALLY DESCRIBES ME.

July 29, 2009

The Dark Knight as Anime?

Filed under: Movie related, TV/Anime

From Deviant Art, via Reelizer

July 6, 2009

Because i absolutely agree with what Ebert says

Filed under: Movie related

This post is dedicated to my friends who never seem to appreciate the same movies i do.

Roger Ebert- I’m a proud Brainiac

But am I out of touch? It’s not a critic’s job to reflect box office taste. The job is to describe my reaction to a film, to account for it, and evoke it for others. The job of the reader is not to find his opinion applauded or seconded, but to evaluate another opinion against his own. But you know that. We’ve been over that ground many times. What disturbs me is when I’m specifically told that I know too much about movies, have “studied” them, go into them “too deep,” am always looking for things the average person doesn’t care about, am always mentioning things like editing or cinematography, and am forever comparing films to other films.

I’ve “forgotten what it’s like to be a kid,” another poster told me. One of the most-admired contributors to this blog, who signs herself “A Kid.,” is 12 years old. She hasn’t forgotten. Neither have many other readers of middle school age. Their posts give me hope for the future. For them, to be a kid is not to be uncritical or thoughtlessly accepting. They seek magic, and don’t find it in the brutal hammering of “Transformers.”

A reader named Jared Diamond, a senior at Syracuse, sports editor of The Daily Orange, put my disturbance eloquently in a post asking: “Why in this society are the intelligent vilified? Why is education so undervalued and those who preach it considered arrogant or pretentious?” Why, indeed? If sports fans were like certain movie fans, they would hate sports writers, commentators and sports talk hosts for always discussing fine points, quoting statistics and bringing up games and players of the past. If all you want to do is drink beer in the sunshine and watch a ball game, why should some elitist play-by-play announcer bore you with his knowledge? Yet sports fans are proud of their baseball knowledge, and respect commentators who know their stuff.

It’s true that many Americans have an active suspicion and dislike of the “educated.” They ask, “what makes you an expert?” when they’re really asking, “what gives you the right to disagree with me?” The term “college graduate” has become in some circles a negative. Hostility is especially focused on the “Eastern Elite,” to the chagrin of we Midwestern Elitists. To describe someone as a “Harvard student” is to dismiss them as beneath consideration. You can often hear the words “so-called” in front of words like scientist, educator, philosopher. I don’t believe this is intended to imply that the person involved is not a scientist, etc., but to suggest that no one calling himself such a thing is to be trusted–because he is no doubt many other undesirable things.

While I am eager, in the words of my alma mater’s song “Illinois Loyalty,” to back you to stand, against the best in the land, I envy the hell out of anyone who has gotten himself into Harvard, especially with his mind and not his parents’ clout. Some people believe it is the best university in America. Why must that be a mark of shame?

I never took a film class. I will not bore you with yet another recitation of my rags-to-riches saga, my hard-won film education, and blah, blah, blah. Let’s just say I started out with a lot to learn, and am still trying to learn as much of it as I can. There are people who know so much more about film than I do, it makes me all but weep with gratitude when they deign to speak with me. Two words: David Bordwell. That he speaks to everyone in clear and eloquent prose speaks for itself. It isn’t that he “thinks he knows more than anybody else.” It’s that he does. It’s like he happens to know a lot of interesting stuff, and is happy to share it with you.

Now about those who sincerely believe “Transformers” is a good, even a great, film. I sincerely believe they are wrong. I don’t consider them stupid–at least, not (most of) the ones who write to me. Some of the posters at certain popular web forums are nine blooms short of a bouquet. But on the other hand look at the spirited discussions on the movie forums of the all-Transformers-all-the time seibertron.com, where a Paramount exit poll showing “90% of those polled thought the second film was as good or better than the first one” has been received with ridicule. Significantly, those are moderated forums.

May 2, 2009

When Hellboy meets Hulk

Filed under: Movie related

March 24, 2009

100 Movies to See Before You Die - Yahoo! Movies

Filed under: Movie related

100 Movies to See Before You Die - Yahoo! Movies


By my count i’ve only seen 41 films on the list. Need to work harder.

January 23, 2009

BBC NEWS | Entertainment | Oscars | Benjamin Button leads Oscar field

Filed under: Movie related

BBC NEWS | Entertainment | Oscars | Benjamin Button leads Oscar field

No Best Picture or Best Director nomination for The Dark Knight? Seriously? The best film of the year, and you don’t think it deserves at least a tip for Best Picture? And to add insult to injury you give the Best pic slot to The Reader instead? This year’s Oscar will probably be remembered as the one where one of the best films in recent memory gets the big snub.

January 7, 2009

Wise Words From Ebert

Filed under: Personal, Movie related

The birds of prey are circling


American opening-weekend audiences are driven by gossip and “box office winners.” Not enough people trust their instincts. Which family movie would you rather see? An epic set in Australia, or one about a crazy dog? The kids see the trailer on TV, and say: “We want to see the dog!” Well, I sorta liked “Marley” too, except for the dog. But I offer this advice for parents: The kids will see the movie you choose for them, not the movie they choose for you. If you don’t lay down the law, you’ll end up seeing “The Spirit.” You mark my words.

Never mind the “weekend winner” charts. Everybody wants to back a winner. If you’re one of 50 people in a theater, that may mean you are more discriminating than the people who are not filling the other 300 seats. It doesn’t automatically mean you’re (a) a loser; (b) one of them Elites; (c) looking like a nerd in front of your date. Young people, heed this advice: Never marry someone who doesn’t love the movies you love. Sooner or later, that person will not love you. I could go even further, and quote the great French cineaste Pierre Rissient, who instructs us: It is not enough for you to love a movie. You must love it for the right reasons.

December 12, 2008

Why so Serious?

Filed under: Movie related

Reactions after the list of this year’s Golden Globes nominees were announced: Why no love for the Dark Knight, with only a sole Supporting Actor Nomination for Heath Ledger. It deserves more dammit! Lets hope the Oscars shower more love for The Dark Knight. Good Picks: In Bruges finally gets some recognition and i’m excited by the acting noms generated by Darren Aronofsky’s The Wrestler. Also greatly anticipated is Danny Boyle’s highly rated Slumdog Millionaire and the Brad Pitt vehicle Benjamin Button. Dubious picks: Angelina Jolie for the Changeling? Mama Mia?! No love for Dark Knight. Obscure films that are now in my KIV movie watch list: All the best foreign language film picks, Last Chance Harvey, I’ve Loved You So Long.

As for the TV nominations, quite blah actually. If there is no nomination for Battlestar Galactica, there must be seriously something wrong. Plus, Mad Men is way overrated. I was bored by that show. Methinks House and Dexter are good picks, but where is Damages?

November 22, 2008

Best of 2006

Since Cinematical decided to rewind with a best of 2006, i was reminded that i had yet to weight in on the best films of 2006. Thus you have the top 26 films of 2006 as rated by me. 26, because there were 26 movies deserving of mention. If you want to read my review of the films, you can always use the search function on the right.

  1. V For Vendetta
  2. Paprika
  3. United 93
  4. Volver
  5. Letters from Iwo Jima
  6. Hard Candy
  7. The Queen
  8. The Bridge
  9. Stranger Than Fiction
  10. After The Wedding
  11. Babel
  12. Little Children
  13. Pan’s Labyrinth
  14. The Painted Veil
  15. The Lives of Others
  16. Idiocracy
  17. Isabella
  18. The Last King Of Scotland
  19. Road To Guantanamo
  20. Little Miss Sunshine
  21. Notes on a Scandal
  22. Dreamgirls
  23. Banquet
  24. Exiled
  25. The Departed
  26. The Proposition

August 29, 2008

Kirsten Bell as Harley Quinn in next Batman?

Filed under: Movie related

Self explanatory. Great pic.

From Cinematical.

Japan Hates The Dark Knight?! | /Film

Filed under: Movie related

Japan Hates The Dark Knight?! | /Film

critic Chika Minagawa, who offers the following thoughts on why Japanese audiences aren’t fawning over the film: The story is very pessimistic. It has a dark and gloomy texture that Japanese movie fans do not find appealing in a ‘comic hero’ film… Japanese movie fans expect such films to be fun and action packed, for the hero to be attractive, for the villain to be loud and outrageous, and for the movie itself to be easy to understand and light.

Exactly why i don’t like films that the Japanese like.

August 2, 2008

The Best 1,000 Movies Ever Made - Reviews - Movies - New York Times

Filed under: Movie related

The Best 1,000 Movies Ever Made - Reviews - Movies - New York Times

The New York Times makes a list of the 1,000 Best Movies ever made, and i realize that there are so many acclaimed movies i have yet to watch. Its a fairly decent list, and includes foreign language films like Amelie and Red. However, there seems to be an appalling lack of East Asian films. 1990’s Internal Affairs is included but not HK’s Infernal Affairs (which was remade into The Departed)?? Plus, no entry for Requiem For A Dream, Chungking Express or Life Is Beautiful?!




Get free blog up and running in minutes with Blogsome | Theme designs available here

Creative Commons License